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Novels: Start reading 《阿Q正传》- The True Story of Ah Q by Lu Xun

Ever met someone who loses a fight but still walks away feeling like the winner? Meet Ah Q, Lu Xun’s unforgettable everyman who turns every humiliation into a personal victory through sheer mental gymnastics. In these opening chapters, we watch a narrator struggle just to name his subject—and then witness Ah Q’s legendary ‘spiritual victory method’ in glorious action.

Last week, I posted an essay by Lu Xun, arguably China’s greatest contemporary author, and mentioned that I might post his other work soon. As Lu Xun is the GOAT of Chinese lit, I’m going to start backfilling some of the his works that I never translated. I won’t re-hash his biography here, you can head over to last week’s post if you want to read about him.

Written in 1921, The True Story of Ah Q, like most of Lu Xun’s work, is hard to read. Not in the sense that the language is difficult – though in places, it certainly is – but because he trains a brutal lens on what he saw as a sickness in Chinese society after the fall of the Qing Dynasty, and he is a harsher critic than any outsider would ever be. Many of his works are cutting parodies of the fearful, obsequious, superstitious, uneducated, scuttling masses. He felt disturbed that so many people had been beaten down in the imperial era, and as a result were so focused on their own survival that they had lost their sense of integrity and uprightness. He writes about people like this with a sense of disgust, but with sadness and compassion also. His characters are often small, and mean, and dim-witted, but somehow relatable – and Ah Q is the smallest and meanest of them all. In writing these stories, Lu Xun was not being pointlessly cruel, but instead, he was holding up a mirror to urge his countrymen to stand up and brush the dust off. China has come a long way since 1921, and I hope if he was alive today, Lu Xun would be heartened by what he saw.

The first two paragraphs are a little bit confusing before Lu Xun eases into the story. The story starts out in first person, with the narrator talking about why he wanted to write about Ah Q. Then it slowly merges into third person. One of the difficult bits is during the first-person part, where the narrator is pondering aloud about what style of biographical writing would be suitable for describing the life of a common scoundrel like Ah Q. He says: 传的名目很繁多:列传,自传,内传,外传,别传,家传,小传……,” Some of these are types of biographical writing that only exist in the Chinese literary tradition. Most notably, a 内传, or an “Inner Biography” is a uniquely Chinese idea. It is a genre associated with immortals and Daoist adepts, a type of pseudo-biography that records the marvelous, esoteric, or supernatural side of a person’s life — their dealings with immortals, secret arts, and divine encounters — as opposed to the sober public record. Lu Xun makes a sort of joke about this, and you need to understand what a 内传 is in order to get the joke.

Also, I was delighted to see that this story includes a real use of the idiom 塞翁失马, which I posted about in 2015.

Today’s post is the first two short chapters of the book. If you want to read the rest of this story, you can find the whole thing here.

Key vocab

正传 – zhèng zhuàn – authentic/official biography
籍贯 – jí guàn – native place, place of origin
自尊 – zì zūn – self-esteem, self-respect
鄙薄 – bǐ bó – to despise, look down on
讳 – huì – to taboo, avoid mentioning
怒目而视 – nù mù ér shì – to glare angrily
心满意足 – xīn mǎn yì zú – fully satisfied, content
自轻自贱 – zì qīng zì jiàn – to belittle and demean oneself
兴高采烈 – xìng gāo cǎi liè – in high spirits, jubilant
塞翁失马 – sài wēng shī mǎ – a blessing in disguise (proverb)

阿Q正传

第一章 序

我要给阿Q做正传,已经不止一两年了。但一面要做,一面又往回想,这足见我不是一个“立言”的人,因为从来不朽之笔,须传不朽之人,于是人以文传,文以人传——究竟谁靠谁传,渐渐的不甚了然起来,而终于归接到传阿Q,仿佛思想里有鬼似的。

然而要做这一篇速朽的文章,才下笔,便感到万分的困难了。第一是文章的名目。孔子曰,“名不正则言不顺”。这原是应该极注意的。传的名目很繁多:列传,自传,内传,外传,别传,家传,小传……,而可惜都不合。“列传”么,这一篇并非和许多阔人排在“正史”里;“自传”么,我又并非就是阿Q。说是“外传”,“内传”在那里呢?倘用“内传”,阿Q又决不是神仙。“别传”呢,阿Q实在未曾有大总统上谕宣付国史馆立“本传”——虽说英国正史上并无“博徒列传”,而文豪迭更司也做过《博徒别传》这一部书,但文豪则可,在我辈却不可。其次是“家传”,则我既不知与阿Q是否同宗,也未曾受他子孙的拜托;或“小传”,则阿Q又更无别的“大传”了。总而言之,这一篇也便是“本传”,但从我的文章着想,因为文体卑下,是“引车卖浆者流”所用的话,所以不敢僭称,便从不入三教九流的小说家所谓“闲话休题言归正传”这一句套话里,取出“正传”两个字来,作为名目,即使与古人所撰《书法正传》的“正传”字面上很相混,也顾不得了。

第二,立传的通例,开首大抵该是“某,字某,某地人也”,而我并不知道阿Q姓什么。有一回,他似乎是姓赵,但第二日便模糊了。那是赵太爷的儿子进了秀才的时候,锣声镗镗的报到村里来,阿Q正喝了两碗黄酒,便手舞足蹈的说,这于他也很光采,因为他和赵太爷原来是本家,细细的排起来他还比秀才长三辈呢。其时几个旁听人倒也肃然的有些起敬了。那知道第二天,地保便叫阿Q到赵太爷家里去;太爷一见,满脸溅朱,喝道:

“阿Q,你这浑小子!你说我是你的本家么?”

阿Q不开口。

赵太爷愈看愈生气了,抢进几步说:“你敢胡说!我怎么会有你这样的本家?你姓赵么?”

阿Q不开口,想往后退了;赵太爷跳过去,给了他一个嘴巴。

“你怎么会姓赵!——你那里配姓赵!”

阿Q并没有抗辩他确凿姓赵,只用手摸着左颊,和地保退出去了;外面又被地保训斥了一番,谢了地保二百文酒钱。知道的人都说阿Q太荒唐,自己去招打;他大约未必姓赵,即使真姓赵,有赵太爷在这里,也不该如此胡说的。此后便再没有人提起他的氏族来,所以我终于不知道阿Q究竟什么姓。

第三,我又不知道阿Q的名字是怎么写的。他活着的时候,人都叫他阿Quei,死了以后,便没有一个人再叫阿Quei了,那里还会有“著之竹帛”⑾的事。若论“著之竹帛”,这篇文章要算第一次,所以先遇着了这第一个难关。我曾仔细想:阿Quei,阿桂还是阿贵呢?倘使他号月亭,或者在八月间做过生日,那一定是阿桂了;而他既没有号——也许有号,只是没有人知道他,——又未尝散过生日征文的帖子:写作阿桂,是武断的。又倘使他有一位老兄或令弟叫阿富,那一定是阿贵了;而他又只是一个人:写作阿贵,也没有佐证的。其余音Quei的偏僻字样,更加凑不上了。先前,我也曾问过赵太爷的儿子茂才⑿先生,谁料博雅如此公,竟也茫然,但据结论说,是因为陈独秀办了《新青年》提倡洋字⒀,所以国粹沦亡,无可查考了。我的最后的手段,只有托一个同乡去查阿Q犯事的案卷,八个月之后才有回信,说案卷里并无与阿Quei的声音相近的人。我虽不知道是真没有,还是没有查,然而也再没有别的方法了。生怕注音字母还未通行,只好用了“洋字”,照英国流行的拼法写他为阿Quei,略作阿Q。这近于盲从《新青年》,自己也很抱歉,但茂才公尚且不知,我还有什么好办法呢。

第四,是阿Q的籍贯了。倘他姓赵,则据现在好称郡望的老例,可以照《郡名百家姓》⒁上的注解,说是“陇西天水人也”,但可惜这姓是不甚可靠的,因此籍贯也就有些决不定。他虽然多住未庄,然而也常常宿在别处,不能说是未庄人,即使说是“未庄人也”,也仍然有乖史法的。

我所聊以自慰的,是还有一个“阿”字非常正确,绝无附会假借的缺点,颇可以就正于通人。至于其余,却都非浅学所能穿凿,只希望有“历史癖与考据癖”的胡适之⒂先生的门人们,将来或者能够寻出许多新端绪来,但是我这《阿Q正传》到那时却又怕早经消灭了。

以上可以算是序。

第二章 优胜记略

阿Q不独是姓名籍贯有些渺茫,连他先前的“行状”⒃也渺茫。因为未庄的人们之于阿Q,只要他帮忙,只拿他玩笑,从来没有留心他的“行状”的。而阿Q自己也不说,独有和别人口角的时候,间或瞪着眼睛道:

“我们先前——比你阔的多啦!你算是什么东西!”

阿Q没有家,住在未庄的土谷祠⒄里;也没有固定的职业,只给人家做短工,割麦便割麦,舂米便舂米,撑船便撑船。工作略长久时,他也或住在临时主人的家里,但一完就走了。所以,人们忙碌的时候,也还记起阿Q来,然而记起的是做工,并不是“行状”;一闲空,连阿Q都早忘却,更不必说“行状”了。只是有一回,有一个老头子颂扬说:“阿Q真能做!”这时阿Q赤着膊,懒洋洋的瘦伶仃的正在他面前,别人也摸不着这话是真心还是讥笑,然而阿Q很喜欢。

阿Q又很自尊,所有未庄的居民,全不在他眼神里,甚而至于对于两位“文童”⒅也有以为不值一笑的神情。夫文童者,将来恐怕要变秀才者也;赵太爷钱太爷大受居民的尊敬,除有钱之外,就因为都是文童的爹爹,而阿Q在精神上独不表格外的崇奉,他想:我的儿子会阔得多啦!加以进了几回城,阿Q自然更自负,然而他又很鄙薄城里人,譬如用三尺三寸宽的木板做成的凳子,未庄人叫“长凳”,他也叫“长凳”,城里人却叫“条凳”,他想:这是错的,可笑!油煎大头鱼,未庄都加上半寸长的葱叶,城里却加上切细的葱丝,他想:这也是错的,可笑!然而未庄人真是不见世面的可笑的乡下人呵,他们没有见过城里的煎鱼!

阿Q“先前阔”,见识高,而且“真能做”,本来几乎是一个“完人”了,但可惜他体质上还有一些缺点。最恼人的是在他头皮上,颇有几处不知于何时的癞疮疤。这虽然也在他身上,而看阿Q的意思,倒也似乎以为不足贵的,因为他说“癞”以及一切近于“赖”的音,后来推而广之,“光”也,“亮”也,再后来,连“灯”“烛”都了。一犯,不问有心与无心,阿Q便全疤通红的发起怒来,估量了对手,口讷的他便骂,气力小的他便打;然而不知怎么一回事,总还是阿Q吃亏的时候多。于是他渐渐的变换了方针,大抵改为怒目而视了。

谁知道阿Q采用怒目主义之后,未庄的闲人们便愈喜欢玩笑他。一见面,他们便假作吃惊的说:

“哙,亮起来了。”

阿Q照例的发了怒,他怒目而视了。

“原来有保险灯在这里!”他们并不怕。

阿Q没有法,只得另外想出报复的话来:

“你还不配……”这时候,又仿佛在他头上的是一种高尚的光容的癞头疮,并非平常的癞头疮了;但上文说过,阿Q是有见识的,他立刻知道和“犯忌”有点抵触,便不再往底下说。

闲人还不完,只撩他,于是终而至于打。阿Q在形式上打败了,被人揪住黄辫子,在壁上碰了四五个响头,闲人这才心满意足的得胜的走了,阿Q站了一刻,心里想,“我总算被儿子打了,现在的世界真不像样……”于是也心满意足的得胜的走了。

阿Q想在心里的,后来每每说出口来,所以凡是和阿Q玩笑的人们,几乎全知道他有这一种精神上的胜利法,此后每逢揪住他黄辫子的时候,人就先一着对他说:

“阿Q,这不是儿子打老子,是人打畜生。自己说:人打畜生!”

阿Q两只手都捏住了自己的辫根,歪着头,说道:

“打虫豸,好不好?我是虫豸——还不放么?”

但虽然是虫豸,闲人也并不放,仍旧在就近什么地方给他碰了五六个响头,这才心满意足的得胜的走了,他以为阿Q这回可遭了瘟。然而不到十秒钟,阿Q也心满意足的得胜的走了,他觉得他是第一个能够自轻自贱的人,除了“自轻自贱”不算外,余下的就是“第一个”。状元⒆不也是“第一个”么?“你算是什么东西”呢!?

阿Q以如是等等妙法克服怨敌之后,便愉快的跑到酒店里喝几碗酒,又和别人调笑一通,口角一通,又得了胜,愉快的回到土谷祠,放倒头睡着了。假使有钱,他便去押牌宝,一堆人蹲在地面上,阿Q即汗流满面的夹在这中间,声音他最响:

“青龙四百!”

“咳~~开~~啦!”桩家揭开盒子盖,也是汗流满面的唱。“天门啦~~角回啦~~!人和穿堂空在那里啦~~!阿Q的铜钱拿过来~~!”

“穿堂一百——一百五十!”

阿Q的钱便在这样的歌吟之下,渐渐的输入别个汗流满面的人物的腰间。他终于只好挤出堆外,站在后面看,替别人着急,一直到散场,然后恋恋的回到土谷祠,第二天,肿着眼睛去工作。

但真所谓“塞翁失马安知非福”罢,阿Q不幸而赢了一回,他倒几乎失败了。

这是未庄赛神的晚上。这晚上照例有一台戏,戏台左近,也照例有许多的赌摊。做戏的锣鼓,在阿Q耳朵里仿佛在十里之外;他只听得桩家的歌唱了。他赢而又赢,铜钱变成角洋,角洋变成大洋,大洋又成了叠。他兴高采烈得非常:

“天门两块!”

他不知道谁和谁为什么打起架来了。骂声打声脚步声,昏头昏脑的一大阵,他才爬起来,赌摊不见了,人们也不见了,身上有几处很似乎有些痛,似乎也挨了几拳几脚似的,几个人诧异的对他看。他如有所失的走进土谷祠,定一定神,知道他的一堆洋钱不见了。赶赛会的赌摊多不是本村人,还到那里去寻根柢呢?

很白很亮的一堆洋钱!而且是他的——现在不见了!说是算被儿子拿去了罢,总还是忽忽不乐;说自己是虫豸罢,也还是忽忽不乐:他这回才有些感到失败的苦痛了。

但他立刻转败为胜了。他擎起右手,用力的在自己脸上连打了两个嘴巴,热剌剌的有些痛;打完之后,便心平气和起来,似乎打的是自己,被打的是别一个自己,不久也就仿佛是自己打了别个一般,——虽然还有些热剌剌,——心满意足的得胜的躺下了。

他睡着了。

Show English translation

The True Story of Ah Q (Excerpt)

Chapter One: Introduction

I’ve wanted to write an authentic biography for Ah Q for a year or two now. But even as I want to write it, I keep hesitating and second-guessing — which just proves I’m not some grand literary master. For it has always been the case that an immortal pen must record an immortal man. Thus the man is immortalized by the writing, and the writing is immortalized by the man — and gradually it becomes quite unclear who exactly is immortalizing who for posterity. In the end, all I care about is writing a biography of Ah Q, as if there were a demon in my thoughts.

However, when I set out to write what is supposed to be a throwaway piece, the moment I put pen to paper, I start to struggle. The first problem is the title of the piece. Confucius said, ‘If names are not correct, then speech will not flow smoothly.’ This is indeed so. There are many kinds of biography: official biographies, autobiographies, inner biographies, outer biographies, unofficial biographies, family biographies, brief biographies… but unfortunately none of them fits this piece. An ‘official biography’? This piece can hardly be considered an official history of an important personage; an ‘autobiography’? But I am certainly not Ah Q myself. I could call it an ‘outer biography’? But if there is an outer biography, then where is the ‘inner biography’? And if I used ‘inner biography,’ Ah Q is by no means an immortal. An ‘alternative biography’? But Ah Q has in fact never had a presidential edict decreeing the establishment of an ‘official biography’ in the National History Museum. Although there is no ‘Biography of a Gambler’ in the official British histories, the literary master Dickens did write a book called ‘A Gambler’s Unofficial Biography,’ but what is permissible for a literary master is not permissible for the likes of me. Next comes ‘family biography,’ but I neither know whether Ah Q and I are of the same clan, nor have I ever been entrusted by his descendants to write about them; or maybe a ‘truncated biography,’ but there’s no longer ‘grand biography’ to truncate. In short, this piece is simply an ‘official biography,’ but considering my writing style. Since the style is lowly, the kind of language used by ‘cart-pushers and soy-sauce peddlers’, I dare not presume to use such a title, so instead I’ll use the term ‘true story’ [literally, “real biography”] from the stock phrase ‘enough idle talk, let us return to the true story’ used by lesser novelists, and use that as my title. The term ‘true story’ does vaguely resemble the words ‘authentic biography’ in the ancient work ‘Authentic Biography of Calligraphy,’ but it cannot be helped.

Second, the usual convention in writing a biography is to open more or less with ‘So-and-so, styled such-and-such, was a person of such-and-such a place,’ but I do not even know what Ah Q’s surname was. On one occasion, it seemed he was surnamed Zhao, but by the next day it had become vague again. That was at the time when Squire Zhao’s son passed the county examination, and the gongs went clanging to report it throughout the village. Ah Q had just drunk two bowls of yellow wine, and he waved his hands and stamped his feet, saying that this was very glorious for him too, because he and Squire Zhao were originally of the same family, and if you traced it out carefully he was actually three generations senior to the graduate. At the time several bystanders were rather solemnly impressed. Who would have known that the next day, the local constable summoned Ah Q to Squire Zhao’s house; the moment the Squire saw him, his face flushed crimson, and he shouted:

‘Ah Q, you muddled brat! You say I’m of your family? ‘

Ah Q said nothing.

Squire Zhao grew angrier the more he looked, and rushing forward a few steps he said: ‘How dare you talk nonsense! How could I have a relative like you? Are you surnamed Zhao?’

Ah Q said nothing and thought to retreat backward; Squire Zhao leaped over and gave him a slap.

‘How could you be surnamed Zhao!—How are you fit to be surnamed Zhao!’

Ah Q made no protest that he was truly surnamed Zhao, only rubbed his left cheek with his hand and withdrew with the constable; outside he was scolded by the constable once more, and thanked the constable with two hundred cash for wine money. Those who knew of it all said Ah Q was too absurd, that he had brought the beating on himself; he probably was not surnamed Zhao after all, and even if he really were surnamed Zhao, with Squire Zhao here, he still should not have talked such nonsense. After this no one ever again brought up his clan, so in the end I do not know what Ah Q’s surname really was.

Third, I also do not know how Ah Q’s given name was written. While he was alive, people all called him Ah Quei, but after he died, not a single person ever said he name again, [so how could the characters he used to write his name be known]? Indeed, this piece must be the first time his name was recorded, so I met this first difficulty right at the start. I once thought carefully: Ah Quei—was it Ah Gui (cassia) or Ah Gui (nobility)? If he had gone by the style-name Yueting (Moon Pavilion), or if he had celebrated his birthday sometime in the eighth month, then it would certainly be Ah Gui (cassia); but he had no style-name—perhaps he did have one, only no one knew it—and moreover he had never sent out invitations for birthday-poem gatherings: to write it as Ah Gui (cassia) would be arbitrary. And if he had an elder brother or younger brother called Ah Fu (wealth), then it would certainly be Ah Gui (nobility); but he was all alone: to write it as Ah Gui (nobility) has no supporting evidence either. As for the other rare characters pronounced ‘Quei,’ they fit even less. Earlier, I had asked Squire Zhao’s son, the learned Mr. Maocai, but who would have thought that so erudite a gentleman would be at a complete loss too; his conclusion, however, was that it was because Chen Duxiu had run ‘New Youth’ and advocated foreign letters, so the national essence had been lost and there was no way to look it up. My final resort was to entrust a fellow townsman to search the case files of Ah Q’s crime, and after eight months a reply came saying there was no one in the files whose name sounded close to Ah Quei. Although I do not know whether there really was no such person, or whether they simply didn’t look, there was no other method available. Afraid that the phonetic alphabet was not yet in wide use, I had no choice but to use ‘foreign letters’ and, following the popular English spelling, write him as Ah Quei, abbreviated to Ah Q. This comes close to blindly following ‘New Youth,’ and I feel quite apologetic about it myself, but since even the learned Mr. Maocai did not know, what better method do I have?

Fourth is Ah Q’s place of origin. If he were surnamed Zhao, then according to the current fashion of citing one’s ancestral prefecture, I could follow the annotations in the ‘Hundred Family Surnames Arranged by Prefecture’ and say he was ‘a person of Tianshui in Longxi’; but unfortunately this surname is not very reliable, and so his place of origin is also somewhat undeterminable. Although he mostly lived in Weizhuang, he also often lodged elsewhere, so he cannot be said to be a person of Weizhuang; and even if I said he was ‘a person of Weizhuang,’ this would still violate the rules of historiography.

What I can comfort myself with is that there is still the word ‘Ah,’ which is absolutely correct, with no defect of forced association or borrowing, and can quite properly be submitted to the learned for correction. As for the rest, it is all beyond the power of a shallow scholar to dig into; I only hope that the disciples of Mr. Hu Shizhi, who has ‘a mania for history and a mania for textual research,’ might in the future be able to trace out many new clues—but by then I fear this ‘True Story of Ah Q’ of mine will already have faded into history long ago.

The above may be taken as the introduction.

Chapter Two: A Brief Record of Victories

Not only were Ah Q’s name and place of origin somewhat obscure, but even his earlier ‘conduct and character’ was obscure. For the people of Weizhuang, in relation to Ah Q, only wanted him when they needed help and only used him for their amusement, and never paid attention to his ‘conduct.’ And Ah Q himself never spoke of it, except that when quarreling with others, he would sometimes glare and say:

‘We were—much better off than you before! Who do you think you are!’

Ah Q had no home; he lived in the Earth-and-Grain Shrine in Weizhuang; he also had no fixed occupation, only doing short-term work for others—if it was cutting wheat he cut wheat, if it was pounding rice he pounded rice, if it was punting a boat he punted a boat. When the work lasted a little longer, he would sometimes stay at the house of his temporary employer, but as soon as it was finished he would leave. So when people were busy they would still remember Ah Q, but what they remembered was the work, not his ‘conduct’; and once things were idle, they forgot even Ah Q himself, let alone his ‘conduct.’ Only once did an old man praise him, saying: ‘Ah Q really can work!’ At this time Ah Q was bare-chested, listless and scrawny, standing right in front of him, and others could not tell whether the words were sincere or mocking, yet Ah Q was very pleased.

Ah Q also had a strong sense of self-esteem; all the residents of Weizhuang were beneath his notice, even to the point that toward the two ‘scholar-boys’ he wore an expression suggesting they were not worth a smile. Now, scholar-boys are those who may in the future become county graduates; Squire Zhao and Squire Qian were greatly respected by the residents, and besides being rich, it was because they were the fathers of scholar-boys—yet Ah Q alone showed no special reverence in his heart, thinking: my son will be much more prominent! Add to this that he had been into town a few times, and Ah Q naturally became even more self-important; yet he also greatly despised townsfolk—for example, a bench made of a board three chi and three cun wide, which Weizhuang people called a ‘long bench,’ he too called a ‘long bench,’ but the townsfolk called it a ‘strip bench,’ and he thought: this is wrong, ridiculous! For fried big-head fish, Weizhuang people all added half-inch-long scallion leaves, but the townsfolk added finely-shredded scallion, and he thought: this too is wrong, ridiculous! Yet the Weizhuang people are truly ridiculous country folk who have never seen the world—they have never seen fried fish in the town!

Ah Q was ‘well-off in the past,’ had lofty insight, and moreover ‘really could work’—by rights he was almost a ‘perfect man,’ but unfortunately he still had a few physical defects. The most vexing was on his scalp, where there were several ringworm scars of unknown origin. Although these were on his own body, judging by Ah Q’s attitude, it seemed he too regarded them as nothing to be proud of, for he tabooed the word ‘ringworm’ (lai) and all sounds close to ‘lai’ (mangy); later he extended this, so ‘bright’ (guang) was also tabooed, and ‘shining’ (liang) was tabooed, and later still even ‘lamp’ and ‘candle’ were tabooed. Whenever a taboo was violated, whether intentionally or not, Ah Q’s whole scar would flush red and he would fly into a rage; sizing up his opponent, if the fellow was slow of tongue he would curse him, and if he was weak in strength he would beat him; yet somehow or other, it was still Ah Q who got the worst of it more often. So he gradually changed his tactics, mostly switching to glaring angrily.

Who would have known that after Ah Q adopted the policy of glaring, the idlers of Weizhuang grew all the more fond of teasing him. The moment they met him, they would pretend to be startled and say:

‘Ha, it’s lighting up.’

Ah Q, as usual, flew into a rage and glared.

‘So there’s a safety-lamp here!’ They were not the least bit afraid.

Ah Q, having no recourse, could only think up other words of retaliation:

‘You’re not even fit to…’ At this moment it seemed that what was on his head was a kind of noble and glorious ringworm scar, not an ordinary ringworm scar; but as was said above, Ah Q was a man of insight, and he immediately realized this had some conflict with ‘violating the taboo,’ so he did not go on to say the rest.

The idlers were not finished; they only pestered him, and so it ended in a beating. Ah Q was formally defeated—grabbed by his yellow queue, his head knocked against the wall four or five times with a thud—and only then did the idlers walk off contented and victorious. Ah Q stood for a moment, thinking in his heart, ‘I’ve been beaten by my son after all; the world these days is really no good…’ and then he too walked off contented and victorious.

What Ah Q thought in his heart, he later tended to say out loud, so that almost all the people who joked with Ah Q knew he had this kind of spiritual victory method; thereafter, whenever they grabbed his yellow queue, they would say to him first:

‘Ah Q, this isn’t a son beating his father, it’s a man beating a beast. Say it yourself: a man beating a beast!’

Ah Q, gripping the root of his own queue with both hands and cocking his head, would say:

‘Beating an insect—how’s that? I’m an insect—now will you let go?’

But even though he was an insect, the idlers still would not let go, and as usual they knocked his head five or six times against whatever was nearby, and only then walked off contented and victorious, thinking Ah Q had really met his misfortune this time. Yet in less than ten seconds Ah Q too walked off contented and victorious, feeling that he was the foremost man capable of self-belittlement and self-contempt, and setting aside the ‘self-belittlement and self-contempt,’ what remained was ‘the foremost.’ Isn’t the top scholar in the imperial examination also ‘the foremost’? ‘And who do you think you are!?’

After conquering his enemies with such and such wonderful methods, Ah Q would happily run to the tavern, drink a few bowls of wine, flirt and banter with others, quarrel with others, win again, and happily return to the Earth-and-Grain Shrine, where he would lay his head down and fall asleep. If he had money, he would go gamble at fantan; a crowd of people would squat on the ground, and Ah Q, his face streaming with sweat, would be squeezed in among them, his voice the loudest of all:

‘Four hundred on the Green Dragon!’

‘Ho~~ it’s open~~!’ The banker, also with sweat streaming down his face, would sing out as he lifted the lid of the box. ‘Heaven’s Gate wins~~ Corner-Return wins~~! The Man-and-Harmony passage is empty~~! Bring over Ah Q’s coins~~!’

‘One hundred on the Passage—one hundred fifty!’

And under such singsong chanting, Ah Q’s money gradually drained into the belts of other sweat-streaming figures. In the end he could only squeeze out of the crowd and stand behind, watching and fretting on others’ behalf, until the game broke up, whereupon he reluctantly returned to the Earth-and-Grain Shrine, and the next day went to work with swollen eyes.

But it was truly a case of ‘when the old man on the frontier lost his horse, how could one know it was not a blessing’—when Ah Q, by ill luck, won once, he almost ended up losing.

This was on the night of Weizhuang’s god-worship festival. On this night there was, as usual, a stage play, and near the stage there were also, as usual, many gambling stalls. The gongs and drums of the play sounded, to Ah Q’s ears, as though they were ten miles away; he heard only the banker’s singing. He won and won again; copper coins turned into silver dimes, silver dimes turned into big silver dollars, and the big dollars piled up into stacks. He was in extraordinarily high spirits:

‘Two dollars on Heaven’s Gate!’

He did not know who had started fighting with whom or why. Amid a chaotic din of cursing, blows, and footsteps, muddle-headed and dizzy, by the time he crawled up, the gambling stalls had vanished, the people had vanished too, several places on his body seemed rather painful, and it seemed he had taken a few punches and kicks; several people looked at him in astonishment. Feeling as if he had lost something, he walked into the Earth-and-Grain Shrine, and after collecting himself, he realized that his pile of silver dollars was gone. Most of those who came to run gambling stalls at the festival were not from the village, so where could he go to trace them?

A pile of very white, very bright silver dollars! And it was his—and now it was gone! To say it counted as being taken by his son still left him vaguely unhappy; to say he himself was an insect also still left him vaguely unhappy: this time he did feel some of the pain of defeat.

But he immediately turned defeat into victory. He raised his right hand and forcefully slapped himself twice across the face; it stung and hurt a little. After finishing the slaps, his mind grew calm and peaceful, as though the one slapping had been himself and the one slapped had been another self, and before long it was as if he had slapped someone else altogether—and although it still stung a little—he lay down contented and victorious.

He fell asleep.

3 replies on “Novels: Start reading 《阿Q正传》- The True Story of Ah Q by Lu Xun”

Thank you for this, extremely challenging, took me over a week to read through. In several places I made out a meaning that didn’t make sense, then looked at the translation and found I had pretty much the correct meaning but just didn’t get the context, like the bit about the taboo words (“光” and “亮”, which I still don’t get), and when he is slapping himself in the face or mentioning his son who doesn’t seem to be in the story. Also had to look up some things like the card game 押牌宝. All good though, think I picked up a lot from this.
There’s some numbers dotted through the text, are they footnotes or something from the original?

Hello! Good on you for making it! You should congratulate yourself, if you can make it through this, that’s a big deal.

A quick explanation on the “光” and “亮”, etc. Basically, Ah Q is creating a ridiculous and ever-expanding list of taboo words that are associated with his ringworm scars. The scars on his head are physical and visible to everyone, so to mentally deal with his insecurities about them, he tries to ban others from saying those words, but also any words associated with them. First “ringworm.” Then anything that sounds like it. Then “bright” and “shiny,” because his scars are hairless and glossy. Eventually even “lamp” and “candle,” which are things that merely give off light. Anyone who trips the taboo gets cursed or hit, though he sizes up the opponent first and only fights people smaller than him. Does that make sense?

Yes, those numbers are footnotes from the original text that didn’t quite carry over – I should probs delete them.

Hi Kendra, thanks for your reply and explanation! I didn’t make that connection at all. Think I will read it again.

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